, 2016


<i>Voltige - August 20, 2016</i> – Marc-André Blain at Voltige											, 2016 <span class='photo-credit'> – Photo: <a href='' target='_blank'>Paul Litherland</a></span>											<a href=' https://paullitherland.com/artsite_wp/wp-content/uploads/VLC00004adj-1200x681.jpg' target='_blank'><img src='https://paullitherland.com/artsite_wp/wp-content/themes/artpress-child/img/artworkDownloadImg.png' title='télécharger image / download image' /></a> 
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– Marc-André Blain at Voltige , 2016 – Photo: Paul Litherland
“Saint Jean Port Joli Sculptures” from <i></i>, 1994 – 
										 – Angle mort installation view with All Natural, Beaver Nipple and untitled work from the Body Contact series - 1996

“Saint Jean Port Joli Sculptures” from – Angle mort installation view with All Natural, Beaver Nipple and untitled work from the Body Contact series - 1996

“Saint Jean Port Joli Sculptures” from <i></i>, 1994 – 
										 – Angle mort installation view with Pineapple Pillow, 1996

“Saint Jean Port Joli Sculptures” from – Angle mort installation view with Pineapple Pillow, 1996

“Saint Jean Port Joli Sculptures” from <i></i>, 1994 – 
										 – Angle mort installation view with Clear Cut, 1996

“Saint Jean Port Joli Sculptures” from – Angle mort installation view with Clear Cut, 1996

“Saint Jean Port Joli Sculptures” from <i></i>, 1994 – 
										 – Angle mort installation view with Beaver Nipple and Receiving Information from earlier series, 1996

“Saint Jean Port Joli Sculptures” from – Angle mort installation view with Beaver Nipple and Receiving Information from earlier series, 1996

“Saint Jean Port Joli Sculptures” from <i></i>, 1994 – 
										 – Angle mort installation view, with Hairy Man, 1996

“Saint Jean Port Joli Sculptures” from – Angle mort installation view, with Hairy Man, 1996

“Saint Jean Port Joli Sculptures” from <i></i>, 1994 – 
										 – Angle mort installation view with All Natural series, 1996

“Saint Jean Port Joli Sculptures” from – Angle mort installation view with All Natural series, 1996

“Beaver Nipple” from <i></i>, 1994 – 
										 – Detail of image inside Beaver Nipple lightbox

“Beaver Nipple” from – Detail of image inside Beaver Nipple lightbox

“Pineapple Pillow” from <i></i>, 1994 – 
										 – detail of image inside Pineapple Pillow light box

“Pineapple Pillow” from – detail of image inside Pineapple Pillow light box

“All Natural series” from <i></i>, 1994 – 
										 – All Natural series: Moose Hair

“All Natural series” from – All Natural series: Moose Hair

“All Natural series” from <i></i>, 1994 – 
										 – All Natural series: Mole Hair

“All Natural series” from – All Natural series: Mole Hair

“All Natural series” from <i></i>, 1994 – 
										 – All Natural series: Foot

“All Natural series” from – All Natural series: Foot

“Body Contact” from <i></i>, 1995 – 
										 – Untitled

“Body Contact” from – Untitled

“Body Contact” from <i></i>, 1995 – 
										 – Untitled

“Body Contact” from – Untitled

“Body Contact” from <i></i>, 1995 – 
										 – Untitled

“Body Contact” from – Untitled

“Body Contact” from <i></i>, 1995 – 
										 – Untitled

“Body Contact” from – Untitled

“Body Contact” from <i></i>, 1995 – 
										 – Untitled

“Body Contact” from – Untitled

“Body Contact” from <i></i>, 1995 – 
										 – Untitled

“Body Contact” from – Untitled

“Body Contact” from <i></i>, 1995 – 
										 – Untitled

“Body Contact” from – Untitled

“Hésitation” from <i></i>, 1996 – 
										 – Installation view of diptych 'Orlando', lamp posts on boul. Saint-Laurent

“Hésitation” from – Installation view of diptych 'Orlando', lamp posts on boul. Saint-Laurent

“Hésitation” from <i></i>, 1996 – 
										 – Installation view of three-part grouping 'Gang vs Individual' on opposite side of street from single image, lamp posts on boul. Saint-Laurent

“Hésitation” from – Installation view of three-part grouping 'Gang vs Individual' on opposite side of street from single image, lamp posts on boul. Saint-Laurent

“Hésitation” from <i></i>, 1996 – 
										 – Installation view of three-part grouping 'Gang vs Individual' on opposite side of street from diptych, lamp posts on boul. Saint-Laurent

“Hésitation” from – Installation view of three-part grouping 'Gang vs Individual' on opposite side of street from diptych, lamp posts on boul. Saint-Laurent

“Hésitation” from <i></i>, 1996 – 
										 – Installation view of diptych 'Straight Fear', lamp posts on boul. Saint-Laurent

“Hésitation” from – Installation view of diptych 'Straight Fear', lamp posts on boul. Saint-Laurent

“Hésitation” from <i></i>, 1996 – 
										 – Installation view of diptych 'Male-Female Group', lamp posts on boul. Saint-Laurent

“Hésitation” from – Installation view of diptych 'Male-Female Group', lamp posts on boul. Saint-Laurent

“Hésitation” from <i></i>, 1996 – 
										 – Installation view of diptych 'Male Female Arguing', lamp posts on boul. Saint-Laurent

“Hésitation” from – Installation view of diptych 'Male Female Arguing', lamp posts on boul. Saint-Laurent

“Hésitation” from <i></i>, 1996 – 
										 – Installation view of diptych 'Class Race', lamp posts on boul. Saint-Laurent

“Hésitation” from – Installation view of diptych 'Class Race', lamp posts on boul. Saint-Laurent

“Body Building” from <i></i>, 1997 – 
										 – Installation view early in the exhibition, butter buildings standing

“Body Building” from – Installation view early in the exhibition, butter buildings standing

“Body Building” from <i></i>, 1997 – 
										 – Detail, early in the exhibition, butter buildings standing

“Body Building” from – Detail, early in the exhibition, butter buildings standing

“Body Building” from <i></i>, 1997 – 
										 – Detail, early in the exhibition, butter buildings standing

“Body Building” from – Detail, early in the exhibition, butter buildings standing

“Body Building” from <i></i>, 1997 – 
										 – Detail, later in the exhibition, butter buildings melting

“Body Building” from – Detail, later in the exhibition, butter buildings melting

“Body Building” from <i></i>, 1997 – 
										 – Detail, later in the exhibition, butter buildings melting

“Body Building” from – Detail, later in the exhibition, butter buildings melting

“Body Building” from <i></i>, 1997 – 
										 – installation view later in the exhibition, butter buildings melting

“Body Building” from – installation view later in the exhibition, butter buildings melting

“Insecurity” from <i></i>, 1999 – 
										 – Performance of Insecurity

“Insecurity” from – Performance of Insecurity

“Bouquet” from <i></i>, 2000 – 
										 – Paul Litherland and Audrey Litherland collaboration, after Breughel the Elder

“Bouquet” from – Paul Litherland and Audrey Litherland collaboration, after Breughel the Elder

“Babble” from <i></i>, 2001 – 
										 – Paul Litherland, Alexander MacSween and Jean-Philippe Thibault performing Babble at Mois Multi, 2001

“Babble” from – Paul Litherland, Alexander MacSween and Jean-Philippe Thibault performing Babble at Mois Multi, 2001

“Babble” from <i></i>, 2001 – 
										 – Paul Litherland and Alexander MacSween performing ascii writer from Babble at galerie B-312, 2001

“Babble” from – Paul Litherland and Alexander MacSween performing ascii writer from Babble at galerie B-312, 2001

“Babble” from <i></i>, 2001 – 
										 – Paul Litherland and Alexander MacSween performing Sign Language from Babble at galerie B-312, 2001

“Babble” from – Paul Litherland and Alexander MacSween performing Sign Language from Babble at galerie B-312, 2001

“Babble” from <i></i>, 2001 – 
										 – Paul Litherland, Alexander MacSween and Jean-Philippe Thibault in the performance of Babble

“Babble” from – Paul Litherland, Alexander MacSween and Jean-Philippe Thibault in the performance of Babble

“Babble” from <i></i>, 2001 – 
										 – Paul Litherland performing ascii writer from Babble at Mois Multi, 2001.

“Babble” from – Paul Litherland performing ascii writer from Babble at Mois Multi, 2001.

“Listener” from <i></i>, 2001 – 
										 – Installation of one set of ears in tree. There were five pairs all together

“Listener” from – Installation of one set of ears in tree. There were five pairs all together

“Listener” from <i></i>, 2001 – 
										 – Detail of tin ears attached to tree

“Listener” from – Detail of tin ears attached to tree

“Listener” from <i></i>, 2001 – 
										 – Detail of tin ears attached to tree

“Listener” from – Detail of tin ears attached to tree

“Listener” from <i></i>, 2001 – 
										 – Detail of tin ear attached to tree (very top of right side branch of tree)

“Listener” from – Detail of tin ear attached to tree (very top of right side branch of tree)

“Turning Point” from <i></i>, 2002 – 
										 – detail

“Turning Point” from – detail

“Turning Point” from <i></i>, 2002 – 
										 – detail

“Turning Point” from – detail

“Turning Point” from <i></i>, 2002 – 
										 – detail

“Turning Point” from – detail

“Éole” from <i></i>, 2002 – 
										 – Eole installed at Galerie Optica, with the curtains closed as it would have been seen by the viewer

“Éole” from – Eole installed at Galerie Optica, with the curtains closed as it would have been seen by the viewer

“Éole” from <i></i>, 2002 – 
										 – Detail showing tv monitor and headphones

“Éole” from – Detail showing tv monitor and headphones

“Éole” from <i></i>, 2002 – 
										 – Still from video of Éole

“Éole” from – Still from video of Éole

“Liquid Face” from <i></i>, 2003 – 
										 – View of Liquid Face, shown at Overslag Gallery, Eindhoven, Netherlands

“Liquid Face” from – View of Liquid Face, shown at Overslag Gallery, Eindhoven, Netherlands

“Liquid Face” from <i></i>, 2003 – 
										 – Still from the video Liquid Face

“Liquid Face” from – Still from the video Liquid Face

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – From the 2006 Performance of Box at Rencontre Internationale D'art Performance, referee Phil Dickinson

“ASCII Fighter (BOX) ” from – From the 2006 Performance of Box at Rencontre Internationale D'art Performance, referee Phil Dickinson

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – From the 2006 Performance of Box at Rencontre Internationale D'art Performance

“ASCII Fighter (BOX) ” from – From the 2006 Performance of Box at Rencontre Internationale D'art Performance

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – Poetry Fighter section of BOX performed at Le Locale, Montreal

“ASCII Fighter (BOX) ” from – Poetry Fighter section of BOX performed at Le Locale, Montreal

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – Poetry Fighter section of BOX performed at Le Locale, Montreal

“ASCII Fighter (BOX) ” from – Poetry Fighter section of BOX performed at Le Locale, Montreal

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – View of Sorry clips from Video Fighter section of BOX performed at Le Locale, Montreal

“ASCII Fighter (BOX) ” from – View of Sorry clips from Video Fighter section of BOX performed at Le Locale, Montreal

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – Boxers performing ASCII Fighter section of BOX with code-sheets at Le Locale, Montreal, 2004

“ASCII Fighter (BOX) ” from – Boxers performing ASCII Fighter section of BOX with code-sheets at Le Locale, Montreal, 2004

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – View of Sorry clips from Video Fighter section performed at Digifest, Toronto

“ASCII Fighter (BOX) ” from – View of Sorry clips from Video Fighter section performed at Digifest, Toronto

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – View from Hit Counter. Each hit makes the download counter move. Quebec city performance of Box

“ASCII Fighter (BOX) ” from – View from Hit Counter. Each hit makes the download counter move. Quebec city performance of Box

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – View of computer controls, for BOX performance, Quebec City

“ASCII Fighter (BOX) ” from – View of computer controls, for BOX performance, Quebec City

“ASCII Fighter (BOX) ” from <i></i>, 2004 – 
										 – Paul Litherland performing Video Fighter section of BOX at Le Locale, Montreal

“ASCII Fighter (BOX) ” from – Paul Litherland performing Video Fighter section of BOX at Le Locale, Montreal

“Art Photography” from <i></i>, 2005 – 
										 – Installation view, Galeria del Fonca, 2006

“Art Photography” from – Installation view, Galeria del Fonca, 2006

“Art Photography” from <i></i>, 2005 – 
										 – Installation view, Galeria del Fonca, 2006

“Art Photography” from – Installation view, Galeria del Fonca, 2006

“Art Photography” from <i></i>, 2005 – 
										 – Installation view, Gallery 44, 2008

“Art Photography” from – Installation view, Gallery 44, 2008

“Art Photography” from <i></i>, 2005 – 
										 – Installation view, Gallery 44, 2008

“Art Photography” from – Installation view, Gallery 44, 2008

“Art Photography” from <i></i>, 2005 – 
										 – Installation view, Gallery 44, 2008

“Art Photography” from – Installation view, Gallery 44, 2008

“Absolutely Fabulous” from <i></i>, 2006 – 
										 – Installation view, Galerie Thérèse Dion

“Absolutely Fabulous” from – Installation view, Galerie Thérèse Dion

“Absolutely Fabulous” from <i></i>, 2006 – 
										 – Installation view, Galerie Thérèse Dion

“Absolutely Fabulous” from – Installation view, Galerie Thérèse Dion

“Absolutely Fabulous” from <i></i>, 2006 – 
										 – Installation view of Dead (1), Galerie Thérèse Dion

“Absolutely Fabulous” from – Installation view of Dead (1), Galerie Thérèse Dion

“Absolutely Fabulous” from <i></i>, 2006 – 
										 – Installation view of Diesel Queen and Business Man, Galerie Thérèse Dion, 2006

“Absolutely Fabulous” from – Installation view of Diesel Queen and Business Man, Galerie Thérèse Dion, 2006

“Absolutely Fabulous” from <i></i>, 2006 – 
										 – Installation view of School Boy, Galerie Thérèse Dion, 2006

“Absolutely Fabulous” from – Installation view of School Boy, Galerie Thérèse Dion, 2006

“Absolutely Fabulous” from <i></i>, 2006 – 
										 – Installation view Blue Background series, Galerie Thérèse Dion

“Absolutely Fabulous” from – Installation view Blue Background series, Galerie Thérèse Dion

“Hands Ears” from <i></i>, 2006 – 
										 – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from <i></i>, 2006 – 
										 – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from <i></i>, 2006 – 
										 – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from <i></i>, 2006 – 
										 – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from <i></i>, 2006 – 
										 – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from <i></i>, 2006 – 
										 – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from <i></i>, 2006 – 
										 – Installation view at Parque de Tlalpan, Mexico City

“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City

“Family Workstations” from <i></i>, 2007 – 
										 – Installation view, Art Souterrain, 2013

“Family Workstations” from – Installation view, Art Souterrain, 2013

“Family Workstations” from <i></i>, 2007 – 
										 – Installation view, Art Souterrain, 2013

“Family Workstations” from – Installation view, Art Souterrain, 2013

“Mother” from <i></i>, 2007 – 
										 – Mother, detail computer description

“Mother” from – Mother, detail computer description

“Wood vs Wood (part 1: making)” from <i></i>, 2008 – 
										 – Performance: painting holes in fake wood, exterior view

“Wood vs Wood (part 1: making)” from – Performance: painting holes in fake wood, exterior view

“Wood vs Wood (part 1: making)” from <i></i>, 2008 – 
										 – Painting holes, interior view

“Wood vs Wood (part 1: making)” from – Painting holes, interior view

“Wood vs Wood (part 1: making)” from <i></i>, 2008 – 
										 – Paul speaking, exterior view

“Wood vs Wood (part 1: making)” from – Paul speaking, exterior view

“Wood vs Wood (part 1: making)” from <i></i>, 2008 – 
										 – Street view

“Wood vs Wood (part 1: making)” from – Street view

“Wood vs Wood (part 1: making)” from <i></i>, 2008 – 
										 – Drilling holes in real wood, interior view

“Wood vs Wood (part 1: making)” from – Drilling holes in real wood, interior view

“Wood vs Wood (part 1: making)” from <i></i>, 2008 – 
										 – Painting holes, interior view

“Wood vs Wood (part 1: making)” from – Painting holes, interior view

“Wood vs Wood (part 1: making)” from <i></i>, 2008 – 
										 – Audience street view

“Wood vs Wood (part 1: making)” from – Audience street view

“Wood vs Wood (part 2: stacking)” from <i></i>, 2008 – 
										 – Selecting real and fake wood boards

“Wood vs Wood (part 2: stacking)” from – Selecting real and fake wood boards

“Wood vs Wood (part 2: stacking)” from <i></i>, 2008 – 
										 – Stacking real and fake wood, exterior view

“Wood vs Wood (part 2: stacking)” from – Stacking real and fake wood, exterior view

“Wood vs Wood (part 2: stacking)” from <i></i>, 2008 – 
										 – Stacking real and fake wood, exterior view with view of exhibition poster

“Wood vs Wood (part 2: stacking)” from – Stacking real and fake wood, exterior view with view of exhibition poster

“Wood vs Wood (part 2: stacking)” from <i></i>, 2008 – 
										 – Stacking real and fake wood, interior view

“Wood vs Wood (part 2: stacking)” from – Stacking real and fake wood, interior view

“Wood vs Wood (part 2: stacking)” from <i></i>, 2008 – 
										 – Almost finished stacking real and fake wood

“Wood vs Wood (part 2: stacking)” from – Almost finished stacking real and fake wood

“Wood vs Wood (part 2: stacking)” from <i></i>, 2008 – 
										 – Almost finished stacking real and fake wood, interior view

“Wood vs Wood (part 2: stacking)” from – Almost finished stacking real and fake wood, interior view

“Wood vs Wood (part 2: stacking)” from <i></i>, 2008 – 
										 – Finished stacking real and fake wood, Paul leaves gallery

“Wood vs Wood (part 2: stacking)” from – Finished stacking real and fake wood, Paul leaves gallery

“Wood vs Wood  (final sculpture)” from <i></i>, 2008 – 
										 – Final sculpture, detail

“Wood vs Wood (final sculpture)” from – Final sculpture, detail

“Wood vs Wood  (final sculpture)” from <i></i>, 2008 – 
										 – Final sculpture, exterior view

“Wood vs Wood (final sculpture)” from – Final sculpture, exterior view

“Freefall Fighters” from <i></i>, 2009 – 
										 – Paul Litherland and Bertrand Cloutier freefall boxing

“Freefall Fighters” from – Paul Litherland and Bertrand Cloutier freefall boxing

“Force Majeure” from <i></i>, 2010 – 
										 – Installation view, Gallery Clark, Montréal, 2010

“Force Majeure” from – Installation view, Gallery Clark, Montréal, 2010

“Force Majeure” from <i></i>, 2010 – 
										 – Installation view, Gallery Clark, Montréal, 2010

“Force Majeure” from – Installation view, Gallery Clark, Montréal, 2010

“Force Majeure” from <i></i>, 2010 – 
										 – installation view, Odd Gallery, Dawson City, Yukon

“Force Majeure” from – installation view, Odd Gallery, Dawson City, Yukon

“Force Majeure, screen captures” from <i></i>, 2010 –

“Force Majeure, screen captures” from

“Force Majeure, screen captures” from <i></i>, 2010 –

“Force Majeure, screen captures” from

“Details of Hesitation ” from <i></i>, 2014 – 
										 – Institution diptych, as presented in Galerie Bourget and the Concourse of Complexe Guy Favreau

“Details of Hesitation ” from – Institution diptych, as presented in Galerie Bourget and the Concourse of Complexe Guy Favreau

“Air : le regard du vent” from <i></i>, 2015 – 
										 – Installation of windsock on roof of Espace Projet gallery in the Villeray district of Montreal.

“Air : le regard du vent” from – Installation of windsock on roof of Espace Projet gallery in the Villeray district of Montreal.

“Air : le regard du vent” from <i></i>, 2015 – 
										 – Presentation of video at Espace Projet

“Air : le regard du vent” from – Presentation of video at Espace Projet

“B-side Ellen Gallery” from <i></i>, 2015 – 
										 – Installation view of B-Side

“B-side Ellen Gallery” from – Installation view of B-Side

“B-side Ellen Gallery” from <i></i>, 2015 – 
										 – Installation view of works selected by location in collection - single rack

“B-side Ellen Gallery” from – Installation view of works selected by location in collection - single rack

“B-side Ellen Gallery” from <i></i>, 2015 – 
										 – Installation view

“B-side Ellen Gallery” from – Installation view

“B-side Ellen Gallery” from <i></i>, 2015 – 
										 – B-Side Irene Whittome 2, installation view

“B-side Ellen Gallery” from – B-Side Irene Whittome 2, installation view

“B-Side James Morrice” from <i></i>, 2015 – 
										 – Detail to show flatness and illusion aspect of artwork

“B-Side James Morrice” from – Detail to show flatness and illusion aspect of artwork

“B-Side Irene Whittome 2 - Ellen Gallery” from <i></i>, 2015 – 
										 – Detail to show flatness and illusion aspect of artwork

“B-Side Irene Whittome 2 - Ellen Gallery” from – Detail to show flatness and illusion aspect of artwork

“Information sheets and conversation with John Hunting” from <i></i>, 2015 – 
										 – Artwork Data sheet information.

“Information sheets and conversation with John Hunting” from – Artwork Data sheet information.

“Information sheets and conversation with John Hunting” from <i></i>, 2015 – 
										 – inside of mini publications

“Information sheets and conversation with John Hunting” from – inside of mini publications

“Lift vs Drag” from <i></i>, 2017 – 
										 – the Boxotel Gallery, Montreal

“Lift vs Drag” from – the Boxotel Gallery, Montreal

“47 Storeys” from <i></i>, 2018 – 
										 – Optica Gallery installation

“47 Storeys” from – Optica Gallery installation

“47 Storeys” from <i></i>, 2018 – 
										 – Optica Gallery installation

“47 Storeys” from – Optica Gallery installation

“47 Storeys” from <i></i>, 2018 – 
										 – Left-hand video channel of the original 1996 video

“47 Storeys” from – Left-hand video channel of the original 1996 video

“47 Storeys” from <i></i>, 2018 – 
										 – Middle video channel of the audio re-creation of the original video

“47 Storeys” from – Middle video channel of the audio re-creation of the original video

“47 Storeys” from <i></i>, 2018 – 
										 – Right-hand video channel of the video re-creation of the original video

“47 Storeys” from – Right-hand video channel of the video re-creation of the original video

“47 Storeys” from <i></i>, 2018 – 
										 – Optica Gallery installation

“47 Storeys” from – Optica Gallery installation

“47 Storeys” from <i></i>, 2018 – 
										 – Optica Gallery installation

“47 Storeys” from – Optica Gallery installation

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre with didactic panel

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre with didactic panel

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from <i></i>, 2020 – 
										 – Installation view at Agnes Etherington Art Centre

“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre

“B-Side Abraham van Dyck - the Widow” from <i></i>, 2020 –

“B-Side Abraham van Dyck - the Widow” from

“B-Side Abraham van Dyck - the Widow” from <i></i>, 2020 – 
										 – detail

“B-Side Abraham van Dyck - the Widow” from – detail

“B-Side El Greco” from <i></i>, 2020 –

“B-Side El Greco” from

“B-Side Godfrey Kneller Portrait of a Man” from <i></i>, 2020 –

“B-Side Godfrey Kneller Portrait of a Man” from

“B-Side Godfrey Kneller Portrait of a Man” from <i></i>, 2020 – 
										 – detail

“B-Side Godfrey Kneller Portrait of a Man” from – detail

“B-Side Van Dyck Head of a Young Boy” from <i></i>, 2020 –

“B-Side Van Dyck Head of a Young Boy” from

“B-Side Van Dyck Head of a Young Boy” from <i></i>, 2020 – 
										 – detail

“B-Side Van Dyck Head of a Young Boy” from – detail

“B-Side Jan Anthonie Coxie” from <i></i>, 2020 –

“B-Side Jan Anthonie Coxie” from

“B-Side Jan Anthonie Coxie” from <i></i>, 2020 – 
										 – detail

“B-Side Jan Anthonie Coxie” from – detail

“B-Side Gerrit Horst” from <i></i>, 2020 –

“B-Side Gerrit Horst” from

“B-Side Gerrit Horst” from <i></i>, 2020 – 
										 – detail

“B-Side Gerrit Horst” from – detail

“B-Side Bernhard Keil” from <i></i>, 2020 –

“B-Side Bernhard Keil” from

“B-Side Bernhard Keil” from <i></i>, 2020 – 
										 – detail

“B-Side Bernhard Keil” from – detail

“B-Side Van Dyck - Portrait of an Old Woman” from <i></i>, 2020 –

“B-Side Van Dyck - Portrait of an Old Woman” from

“B-Side John James Backer” from <i></i>, 2020 –

“B-Side John James Backer” from

“B-Side Ferdinand Bol” from <i></i>, 2020 –

“B-Side Ferdinand Bol” from

“B-Side Anonymous Painter from the English” from <i></i>, 2020 –

“B-Side Anonymous Painter from the English” from

“B-Side Aert de Gelder with Cloroplast” from <i></i>, 2020 –

“B-Side Aert de Gelder with Cloroplast” from