Don’t forget to change the permalink when find out the title!!

Don’t forget to change the permalink when find out the title!!
Don’t forget to change the permalink when find out the title!!
This work was exhibited in the group show Tout ou rien (2020) in the grouping Pointing and Transforming along with works by Paul Litherland.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Protected Sensations & Exposed Ideas along with works by Paul Litherland.
To close the exhibition at Galerie Optica, the artist performed a retelling of his jump from a building in downtown Montreal, while original video telling of the jump from 1996 played. Includes the question period.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Paul Litherland.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Paul Litherland.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Art from Nothing along with a work by Paul Litherland.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Pointing and Transforming along with works by Paul Litherland.
Accompanying the exhibition are two documents; the Artwork information document and the Conversation with John Hunting.
The Artwork information sheet is modeled on the accession database that is used by the gallery to store information on the artworks.
The email conversation with John Hunting is here
The artwork information document is here
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is from the grouping “Works From Single Collection Rack”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is from the grouping “Works From Single Collection Rack”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is from the grouping “Works From Single Collection Rack”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
This video was made using a camera connected to the wind sock. As the wind sock turned, the camera turned. This video was projected in the gallery with the other works in the exhibition.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Pointing and Transforming along with works by Karen Trask.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Art from Nothing along with a work by Karen Trask.
This is derived from the artist’s series Force Majeure. It was part of the Creating Dialectic grouping in the Tout ou rien exhibition along with works by Karen Trask.
Work is derived from the artist’s series Force Majeure. It was part of the Creating Dialectic grouping in the Tout ou rien exhibition along with works by Karen Trask.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Karen’s Corner.
This work was part of the Creating Dialectic grouping in the Tout ou rien exhibition along with works by Paul Litherland.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Karen Trask.
Test
After all of the wood had had at least one hole drilled in it, it was stacked in a pile in the adjacent window.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
This is part of a series of paintings done in Mexico created for the photo series Art Photography. It was exhibited with the photograph of the same name in the group show Tout ou rien (2020) in the grouping Protected Sensations & Exposed Ideas along with works by Karen Trask.
This work was part of the Asserting Self grouping in the Tout ou rien exhibition along with works by Karen Trask.
This work was part of the Protected Sensations & Exposed Ideas/em> grouping in the Tout ou rien exhibition along with works by Karen Trask.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Karen Trask.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Karen’s Corner.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Karen’s Corner.
This work was part of the Protected Sensations & Exposed Ideas/em> grouping in the Tout ou rien exhibition along with works by Paul Litherland..
This work was part of the Asserting Self grouping in the Tout ou rien exhibition along with works by Karen Trask.
Souvenirs is a performance with photography. The artist was seated with a series of mounted photographs of himself dressed as various states of self. The loosely formed categories of images were: present self, former self, and imagined self. He would ask visitors to choose one of the images. This choice became the starting point for the artist to tell a story about a personal experience. There were not specific stories written for the photos, but rather he would draw on a bank of stories that could be juxtaposed with different photos. For example, if the visitor chose the image of the artist as a skydiver, he might recount his memory of how, for fun, his mother would accelerate their 1970 Dodge Coronet-440 station wagon, full of kids not wearing seatbelts, over bumps in the road, sending everybody airborne.
This piece questions how identity and life experiences co-exist. In the performance, the multiple-facets of the artist’s identity in the photos are tested by the stories. In choosing an improvised approach to combining stories and imagery, the artist hoped unexpected poetic connection would emerge rather than imposing predetermined interpretations. At times it did, but at others, the two truths, when combined, were awkward.
A selection of these photographs were reprinted in 2006; this series was exhibited as Absolutely Fabulous.
This work was exhibited in the group show Tout ou rien (2020) in the grouping Protected Sensations & Exposed Ideas along with works by Paul Litherland.
This work was part of the Asserting Self grouping in the Tout ou rien exhibition along with works by Paul Litherland.