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Karen Trask Proust Weaving
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Author Archives: Don Goodes
Proust – In Search of Lost Time
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Moving Lines I
This work was exhibited in the group show Tout ou rien (2020) in the grouping Pointing and Transforming along with works by Paul Litherland.
Nest
This work was exhibited in the group show Tout ou rien (2020) in the grouping Protected Sensations & Exposed Ideas along with works by Paul Litherland.
B-Side Aert de Gelder no Cloroplast
B-Side Aert de Gelder with Cloroplast
B-Side Hans Rottenhammer
B-Side Gerbrand van den Eeckhout
B-Side Anonymous Painter from the English
B-Side Ferdinand Bol
B-Side John James Backer
B-Side Van Dyck – Portrait of an Old Woman
B-Side Bernhard Keil
B-Side Gerrit Horst
B-Side Jan Anthonie Coxie
B-Side Van Dyck Head of a Young Boy
B-Side Godfrey Kneller Portrait of a Man
B-Side El Greco
B-Side Abraham van Dyck – the Widow
Missel
Le petit Larousse, Français-Anglais
Oroborous
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Paul Litherland.
S/words
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Paul Litherland.
Nothing X 2
This work was exhibited in the group show Tout ou rien (2020) in the grouping Art from Nothing along with a work by Paul Litherland.
Moving Lines II
This work was exhibited in the group show Tout ou rien (2020) in the grouping Pointing and Transforming along with works by Paul Litherland.
B-Side Agnes Lefort
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is from the grouping “Works From Single Collection Rack”.
B-Side Dominique Blain
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is from the grouping “Works From Single Collection Rack”.
B-Side Serge Tousignant
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University.
B-Side Irene Whittome 1
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Denis Demers
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Lawren Harris
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Fred Taylor
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side James Morrice
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side Tom Gibson
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
B-Side William Raphael
B-Side Ellen Gallery is a series of photographs of the back sides of artworks drawn from the collection of the Leonard & Bina Ellen Gallery, Concordia University. The images are printed actual size, and are glued or stapled around commercial painting stretchers. This work is part of the grouping “works selected by size (20 to 24 inches)”.
The Forest
This work was exhibited in the group show Tout ou rien (2020) in the grouping Pointing and Transforming along with works by Karen Trask.
Life Size Plastic wood
This work was exhibited in the group show Tout ou rien (2020) in the grouping Art from Nothing along with a work by Karen Trask.
Force Majeure – Olga
This is derived from the artist’s series Force Majeure. It was part of the Creating Dialectic grouping in the Tout ou rien exhibition along with works by Karen Trask.
Force Majeure – Jacinthe
Work is derived from the artist’s series Force Majeure. It was part of the Creating Dialectic grouping in the Tout ou rien exhibition along with works by Karen Trask.
Force Majeure, screen captures
Imbricate
This work was exhibited in the group show Tout ou rien (2020) in the grouping Karen’s Corner.
Wordfield II
This work was part of the Creating Dialectic grouping in the Tout ou rien exhibition along with works by Paul Litherland.
Berlin Cloud August 31, 2008
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
French Cloud
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
Dumpster – Holywood
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
Pratice Makes Perfect
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Karen Trask.
French Dumpster
This work was exhibited in the group show Tout ou rien (2020) in the grouping Paul’s Corner.
Extra Long Penis (Painting)
This is part of a series of paintings done in Mexico created for the photo series Art Photography. It was exhibited with the photograph of the same name in the group show Tout ou rien (2020) in the grouping Protected Sensations & Exposed Ideas along with works by Karen Trask.
Strap-On
Conqueror
Hamlet
Mirror Boy
Cigarette Mom
ASCII Fighter (BOX) (winners)
Ugly Beautiful
This work was exhibited in the group show Tout ou rien (2020) in the grouping Cheeky Sense of Humour along with works by Karen Trask.
Neige noire III
This work was exhibited in the group show Tout ou rien (2020) in the grouping Karen’s Corner.
Neige noire IV
This work was exhibited in the group show Tout ou rien (2020) in the grouping Karen’s Corner.
Video for the installation Éole
Iqaluit Dump (red vehicle)
Iqaluit Dump (airplane fuselage)
Opening & Closing
This work was part of the Protected Sensations & Exposed Ideas/em> grouping in the Tout ou rien exhibition along with works by Paul Litherland..
Souvenirs performance video documentation
Conqueror
Adequate?
Camera Girl (manual selfie!)
Mirror Boy
Cigarette Mom
Tied Up
Barf
Business Man
Skydiving Cameraman
School Boy
This work was part of the Asserting Self grouping in the Tout ou rien exhibition along with works by Karen Trask.
Sawcat Motorcyclist
Dead (2)
Motorcycle Rainsuit
Winter Cyclist
Souvenirs
Souvenirs is a performance with photography. The artist was seated with a series of mounted photographs of himself dressed as various states of self. The loosely formed categories of images were: present self, former self, and imagined self. He would ask visitors to choose one of the images. This choice became the starting point for the artist to tell a story about a personal experience. There were not specific stories written for the photos, but rather he would draw on a bank of stories that could be juxtaposed with different photos. For example, if the visitor chose the image of the artist as a skydiver, he might recount his memory of how, for fun, his mother would accelerate their 1970 Dodge Coronet-440 station wagon, full of kids not wearing seatbelts, over bumps in the road, sending everybody airborne.
This piece questions how identity and life experiences co-exist. In the performance, the multiple-facets of the artist’s identity in the photos are tested by the stories. In choosing an improvised approach to combining stories and imagery, the artist hoped unexpected poetic connection would emerge rather than imposing predetermined interpretations. At times it did, but at others, the two truths, when combined, were awkward.
A selection of these photographs were reprinted in 2006; this series was exhibited as Absolutely Fabulous.
In Hand
This work was exhibited in the group show Tout ou rien (2020) in the grouping Protected Sensations & Exposed Ideas along with works by Paul Litherland.
Back & Forth
This work was part of the Asserting Self grouping in the Tout ou rien exhibition along with works by Paul Litherland.