, 2017
“Saint Jean Port Joli Sculptures” from – Angle mort installation view with All Natural, Beaver Nipple and untitled work from the Body Contact series - 1996
“Saint Jean Port Joli Sculptures” from – Angle mort installation view with Pineapple Pillow, 1996
“Saint Jean Port Joli Sculptures” from – Angle mort installation view with Clear Cut, 1996
“Saint Jean Port Joli Sculptures” from – Angle mort installation view with Beaver Nipple and Receiving Information from earlier series, 1996
“Saint Jean Port Joli Sculptures” from – Angle mort installation view, with Hairy Man, 1996
“Saint Jean Port Joli Sculptures” from – Angle mort installation view with All Natural series, 1996
“Beaver Nipple” from – Detail of image inside Beaver Nipple lightbox
“Pineapple Pillow” from – detail of image inside Pineapple Pillow light box
“All Natural series” from – All Natural series: Moose Hair
“All Natural series” from – All Natural series: Mole Hair
“All Natural series” from – All Natural series: Foot
“Body Contact” from – Untitled
“Body Contact” from – Untitled
“Body Contact” from – Untitled
“Body Contact” from – Untitled
“Body Contact” from – Untitled
“Body Contact” from – Untitled
“Body Contact” from – Untitled
“Hésitation” from – Installation view of diptych 'Orlando', lamp posts on boul. Saint-Laurent
“Hésitation” from – Installation view of three-part grouping 'Gang vs Individual' on opposite side of street from single image, lamp posts on boul. Saint-Laurent
“Hésitation” from – Installation view of three-part grouping 'Gang vs Individual' on opposite side of street from diptych, lamp posts on boul. Saint-Laurent
“Hésitation” from – Installation view of diptych 'Straight Fear', lamp posts on boul. Saint-Laurent
“Hésitation” from – Installation view of diptych 'Male-Female Group', lamp posts on boul. Saint-Laurent
“Hésitation” from – Installation view of diptych 'Male Female Arguing', lamp posts on boul. Saint-Laurent
“Hésitation” from – Installation view of diptych 'Class Race', lamp posts on boul. Saint-Laurent
“Body Building” from – Installation view early in the exhibition, butter buildings standing
“Body Building” from – Detail, early in the exhibition, butter buildings standing
“Body Building” from – Detail, early in the exhibition, butter buildings standing
“Body Building” from – Detail, later in the exhibition, butter buildings melting
“Body Building” from – Detail, later in the exhibition, butter buildings melting
“Body Building” from – installation view later in the exhibition, butter buildings melting
“Éole” from – Eole installed at Galerie Optica, with the curtains closed as it would have been seen by the viewer
“Éole” from – Detail showing tv monitor and headphones
“Éole” from – Still from video of Éole
“Insecurity” from – Performance of Insecurity
“Bouquet” from – Paul Litherland and Audrey Litherland collaboration, after Breughel the Elder
“Babble” from – Paul Litherland, Alexander MacSween and Jean-Philippe Thibault performing Babble at Mois Multi, 2001
“Babble” from – Paul Litherland and Alexander MacSween performing ascii writer from Babble at galerie B-312, 2001
“Babble” from – Paul Litherland and Alexander MacSween performing Sign Language from Babble at galerie B-312, 2001
“Babble” from – Paul Litherland, Alexander MacSween and Jean-Philippe Thibault in the performance of Babble
“Babble” from – Paul Litherland performing ascii writer from Babble at Mois Multi, 2001.
“Listener” from – Installation of one set of ears in tree. There were five pairs all together
“Listener” from – Detail of tin ears attached to tree
“Listener” from – Detail of tin ears attached to tree
“Listener” from – Detail of tin ear attached to tree (very top of right side branch of tree)
“Turning Point” from – detail
“Turning Point” from – detail
“Turning Point” from – detail
“Liquid Face” from – View of Liquid Face, shown at Overslag Gallery, Eindhoven, Netherlands
“Liquid Face” from – Still from the video Liquid Face
“ASCII Fighter (BOX) ” from – From the 2006 Performance of Box at Rencontre Internationale D'art Performance, referee Phil Dickinson
“ASCII Fighter (BOX) ” from – From the 2006 Performance of Box at Rencontre Internationale D'art Performance
“ASCII Fighter (BOX) ” from – Poetry Fighter section of BOX performed at Le Locale, Montreal
“ASCII Fighter (BOX) ” from – Poetry Fighter section of BOX performed at Le Locale, Montreal
“ASCII Fighter (BOX) ” from – View of Sorry clips from Video Fighter section of BOX performed at Le Locale, Montreal
“ASCII Fighter (BOX) ” from – Boxers performing ASCII Fighter section of BOX with code-sheets at Le Locale, Montreal, 2004
“ASCII Fighter (BOX) ” from – View of Sorry clips from Video Fighter section performed at Digifest, Toronto
“ASCII Fighter (BOX) ” from – View from Hit Counter. Each hit makes the download counter move. Quebec city performance of Box
“ASCII Fighter (BOX) ” from – View of computer controls, for BOX performance, Quebec City
“ASCII Fighter (BOX) ” from – Paul Litherland performing Video Fighter section of BOX at Le Locale, Montreal
“Art Photography” from – Installation view, Galeria del Fonca, 2006
“Art Photography” from – Installation view, Galeria del Fonca, 2006
“Art Photography” from – Installation view, Gallery 44, 2008
“Art Photography” from – Installation view, Gallery 44, 2008
“Art Photography” from – Installation view, Gallery 44, 2008
“Absolutely Fabulous” from – Installation view, Galerie Thérèse Dion
“Absolutely Fabulous” from – Installation view, Galerie Thérèse Dion
“Absolutely Fabulous” from – Installation view of Dead (1), Galerie Thérèse Dion
“Absolutely Fabulous” from – Installation view of Diesel Queen and Business Man, Galerie Thérèse Dion, 2006
“Absolutely Fabulous” from – Installation view of School Boy, Galerie Thérèse Dion, 2006
“Absolutely Fabulous” from – Installation view Blue Background series, Galerie Thérèse Dion
“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City
“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City
“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City
“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City
“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City
“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City
“Hands Ears” from – Installation view at Parque de Tlalpan, Mexico City
“Mother” from – Mother, detail computer description
“Family Workstations” from – Installation view, Art Souterrain, 2013
“Family Workstations” from – Installation view, Art Souterrain, 2013
“Wood vs Wood (part 1: making)” from – Performance: painting holes in fake wood, exterior view
“Wood vs Wood (part 1: making)” from – Painting holes, interior view
“Wood vs Wood (part 1: making)” from – Paul speaking, exterior view
“Wood vs Wood (part 1: making)” from – Street view
“Wood vs Wood (part 1: making)” from – Drilling holes in real wood, interior view
“Wood vs Wood (part 1: making)” from – Painting holes, interior view
“Wood vs Wood (part 1: making)” from – Audience street view
“Wood vs Wood (part 2: stacking)” from – Selecting real and fake wood boards
“Wood vs Wood (part 2: stacking)” from – Stacking real and fake wood, exterior view
“Wood vs Wood (part 2: stacking)” from – Stacking real and fake wood, exterior view with view of exhibition poster
“Wood vs Wood (part 2: stacking)” from – Stacking real and fake wood, interior view
“Wood vs Wood (part 2: stacking)” from – Almost finished stacking real and fake wood
“Wood vs Wood (part 2: stacking)” from – Almost finished stacking real and fake wood, interior view
“Wood vs Wood (part 2: stacking)” from – Finished stacking real and fake wood, Paul leaves gallery
“Wood vs Wood (final sculpture)” from – Final sculpture, detail
“Wood vs Wood (final sculpture)” from – Final sculpture, exterior view
“Freefall Fighters” from – Paul Litherland and Bertrand Cloutier freefall boxing
“Force Majeure” from – Installation view, Gallery Clark, Montréal, 2010
“Force Majeure” from – Installation view, Gallery Clark, Montréal, 2010
“Force Majeure” from – installation view, Odd Gallery, Dawson City, Yukon
“Force Majeure, screen captures” from
“Force Majeure, screen captures” from
“Details of Hesitation ” from – Institution diptych, as presented in Galerie Bourget and the Concourse of Complexe Guy Favreau
“Air : le regard du vent” from – Installation of windsock on roof of Espace Projet gallery in the Villeray district of Montreal.
“Air : le regard du vent” from – Presentation of video at Espace Projet
“B-side Ellen Gallery” from – Installation view of B-Side
“B-side Ellen Gallery” from – Installation view of works selected by location in collection - single rack
“B-side Ellen Gallery” from – Installation view
“B-side Ellen Gallery” from – B-Side Irene Whittome 2, installation view
“B-Side James Morrice” from – Detail to show flatness and illusion aspect of artwork
“B-Side Irene Whittome 2 - Ellen Gallery” from – Detail to show flatness and illusion aspect of artwork
“Information sheets and conversation with John Hunting” from – Artwork Data sheet information.
“Information sheets and conversation with John Hunting” from – inside of mini publications
“B-Side Abraham van Dyck - the Widow” from
“B-Side Abraham van Dyck - the Widow” from – detail
“B-Side El Greco” from
“B-Side Godfrey Kneller Portrait of a Man” from
“B-Side Godfrey Kneller Portrait of a Man” from – detail
“Lift vs Drag” from – the Boxotel Gallery, Montreal
“47 Storeys” from – Optica Gallery installation
“47 Storeys” from – Optica Gallery installation
“47 Storeys” from – Left-hand video channel of the original 1996 video
“47 Storeys” from – Middle video channel of the audio re-creation of the original video
“47 Storeys” from – Right-hand video channel of the video re-creation of the original video
“47 Storeys” from – Optica Gallery installation
“47 Storeys” from – Optica Gallery installation
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre with didactic panel
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Agnes Etherington” from – Installation view at Agnes Etherington Art Centre
“B-Side Van Dyck Head of a Young Boy” from
“B-Side Van Dyck Head of a Young Boy” from – detail
“B-Side Jan Anthonie Coxie” from
“B-Side Jan Anthonie Coxie” from – detail
“B-Side Gerrit Horst” from
“B-Side Gerrit Horst” from – detail
“B-Side Bernhard Keil” from
“B-Side Bernhard Keil” from – detail
“B-Side Van Dyck - Portrait of an Old Woman” from
“B-Side John James Backer” from
“B-Side Ferdinand Bol” from
“B-Side Anonymous Painter from the English” from
“B-Side Aert de Gelder with Cloroplast” from
